|Naomi, age four, immersed in the jazz festival program|
© Andrea Canter
I fail to comprehend how an organization that boasts the jazz savvy David Cezares can repeatedly stumble in its other references to jazz. Ever since MPR removed jazz programming from its state affiliates (despite the ongoing options provided by parent NPR), we find occasional nonsense in its print offspring, Minnesota Monthly. I recall the statement a few years ago that went something like "jazz is hard to find and difficult to understand." (And that was when it was easier to find, with more jazz at the Dakota and the ever-jazz studded Artists Quarter.)
What now? The June issue of MM provides a chart offering guidance to local summer festivals, including the expanding Twin Cities Jazz Festival (June 26-28). That's great for publicity! But in the category "for kids," MM again sticks its jazz-ignorant foot in its mouth noting that jazz is "notoriously unpopular among the under-10 set."
|Never too young to catch the beat|
Notoriously? Has MM conducted or reviewed some research about this? Or better yet, has MM actually attended a Twin Cities Jazz Festival in the past few years? Kids aren't just attending the jazz festival as a free babysitting option -- kids are paying attention, swaying to the music, often seeking close vantage points to check out those interesting instruments making those cool sounds. Of course they are not hanging out in the bars that offer jazz (and not jazz) sets within a few blocks of the Mears Park epicenter. But look at the crowds at the outdoor stages. Look at the communities that attend the Jazz in the Library sets during the week or so leading up to the main event.
|Young Jack Brass fan|
The fact is that by its very nature, jazz appeals to children when they have a chance to be exposed to it. Good jazz, like young children, is uninhibited, without firm (or any) rules. Often the melodies are catchy, and often the sounds are playful, startling, high energy. Kids seem to have a naturally affinity for drums and brass. Each year when I attend the Detroit Jazz Festival, I stop by the main gate where, for years, there's guy with a set of vibes offering kids (grow-ups, too!) the mallets and a chance to create their own tunes. Most of the kids are under ten. There's always a crowd waiting to take a turn. I remember the Jack Brass Band performing in front of the Saint Paul Central Library a couple festivals ago, taking a break and inviting the kids (and there were a lot of them) to come inspect the instruments. I've never been to a jazz festival where some of the youngest (ambulatory) kids didn't start to dance at the edge of the stage.
If jazz didn't appeal to kids under age ten, how would band directors recruit 11- and 12-year-old students for middle school jazz bands?
|Kids and Vibes, Detroit Jazz Festival|
Fortunately, one of the benefits of a free jazz festival is that people come --often with their children--out of curiosity, to enjoy the ambience of outdoor music in a family-friendly setting. And some of them will go home with the sounds of jazz bouncing in their ears, ready to seek out the music on purpose. And some kids --even those under age ten--will be hooked on those cool instruments and rhythms, and maybe find their way into the middle school jazz band.
Of course there are thousands of young children who have never attended a jazz festival or a big band concert, who never hear jazz at home or on the radio. Jazz, in general, is "notoriously unpopular." And maybe one reason is because some media keep telling us so.
|If you offer them jazz, they will come (2013 Freedom Jazz Festival)|