Monday, September 26, 2011

Jazz Face: Adam Linz



© Andrea Canter

The first time I heard Adam Linz was as a solo opening act for Happy Apple at the Cedar Cultural Center, before Happy Apple became an international sensation and before Adam trimmed off his dreadlocks. It was maybe the first time I heard solo bass. It intrigued me then, and even more so now. And now I have heard Adam in multiple solo, duo, trio and larger ensembles, playing everything from straight ahead jazz to Mingus to free improv. Of course there really is no such thing as a “solo” performance from Adam, as he typically vocalizes (on key) whatever he is bowing or plucking, sort of a “duet for one.” It’s annoying if it’s Keith Jarrett’s moaning during solo piano. It’s simply part of the charm of Adam’s music.

Among many projects, Adam is a member of the relatively new Dave King Trucking Company, and performed with the ensemble Saturday night at Studio Z in St. Paul. His soloing was a high point of a very cool evening of original compositions. Like the great bassists touring the world today (Charlie Haden, Gary Peacock, Dave Holland, Christian McBride, Charnett Moffett, Alex Blake, William Parker), Adam can make his instrument sing, scream, growl, sing, creak, groan, sing….his fingers generating sparks, squeaks, squeals, melodies. It’s always a pas de deux, Adam and his bass. Two-part harmony.


Photo: Adam Linz at the Dakota in 2009. (Photo by Andrea Canter)